Everything is in Me

From a rejected dress emerges a reflection on identity, freedom, and culture.

This work begins with the memory of a childhood dress I refused to wear, reflecting an early feeling of not fully identifying with assigned gender expectations.
Over time, that instinct became a deeper understanding that identity — often shaped by gender and social boundaries — is inherently fluid.
Using colours as a language of discovery, the painting explores freedom, self-understanding, and the multiplicity within each person. What starts as a simple memory becomes a meditation on identity and possibility, suggesting that true fulfillment lies in
embracing who we are beyond rigid definitions.